| Title | Winner |
| Album Of The Year | Morning Phase (Beck) |
| Best Album Notes | Offering : Live At Temple University
|
| Best Alternative Music Album | St. Vincent (St. Vincent) |
| Best American Roots Performance | A Feather’s Not A bird (Rosanne Cash) |
| Best American Roots Song | A Feather’s Not A Bird (Rosanne Cash) |
| Best American Album | The River & The Thread (Rosanne Cash) |
| Best Arrangement, Instrumental Or A Cappella | Daft Punk |
| Best Arrangement, Instruments And Vocals | New York Tendaberry |
| Best Bluegrass Album | The Earls Of Leicester |
| Best Blues Album | Step Back (Johnny Winter) |
| Best Boxed Or Special Limited Edition Package | The Rise & Fall Of Paramount Records, Volume One (1917-27) |
| Best Chamber Music/Small Ensemble Performance | In 27 Pieces – The Hilary Hahn Encores |
| Best Children’s Album | I Am Malala : How One Girl Stood Up For Education And Changed The World (Malala Yousafzai) |
| Best Choral Performance | The Sacred Spirit Of Russia |
| Best Classical Compendium | Partch : Plectra & Percussion Dances |
| Best Classical Instrumental Solo | Play (Jason Vieaux) |
| Best Classical Solo Vocal Album | Douce France |
| Best Comedy Album | Mandatory Fun |
| Best Compilation Soundtrack For Visual Media | Frozen |
| Best Contemporary Christian Music Album | Run Wild. Live Free. Love Strong. |
| Best Contemporary Christian Music Performance /Song | Messengers |
| Best Contemporary Classical Composition | Adams, John Luther : Become Ocean |
| Best Contemporary Instrumental Album | Bass & Mandolin |
| Best Country Album | Platinum (Miranda Lambert) |
| Best Country Duo/Group Performance | Gentle On My Mind (The Band Perry) |
| Best Country Solo Performance | Something In The Water (Carrier Underwood) |
| Best Country Song | I’m Not Gonna Miss You |
| Best Dance Recording | Rather Be |
| Best Dance/Electronic Album | Syro |
| Best Engineered Album, Classical | Vaughan Williams : Dona Nobis Pacem; Symphony No.4; The Lark Ascending |
| Best Engineered Album, Non-Classical | Morning Phase |
| Best Folk Album | Remedy |
| Best Gospel Album | Help (Erica Campbell) |
| Best Gospel Performance/Song | No Greater Love (Smokie Norful) |
| Best Historical Album | The Garden Spot Programs, 1950 |
| Best Improvised Jazz Solo | Fingerprints (Chick Corea) |
| Best Instrumental Composition | The Book Thief |
| Best Jazz Instrumental Album | Trilogy (Chick Corea Trio) |
| Best Jazz Vocal Album | Beautiful Life (Dianne Reeves) |
| Best Large Jazz Ensemble Album | Life In The Bubble |
| Best Latin Jazz Album | The Offense Of The Drum |
| Best Latin Pop Album | Tangos (Ruben Blades) |
| Best Latin Rock, Urban Or Alternative Album | Multiviral (Calle 13) |
| Best Metal Performance | Tenacious D. (The Last In Line) |
| Best Music Film | 20 Feet From Stardom |
| Best Music Video | Happy (Pharrell Williams) |
| Best Musical Theater Album | Beautiful : The Carole King Musical |
| Best New Age Album | Winds Of Samsara (Ricky Kej & Wouter Kellerman) |
| Best New Artist | Sam Smith |
| Best Opera Recording | Charpentier : La Descente D’Orphee Aux Enfers |
| Best Orchestral Performance | Adams, John : City Noir |
| Best Pop Duo/Group Performance | Say Something |
| Best Pop Solo Peformance | Happy (Live) |
| Best Pop Vocal Album | In The Lonely Hour |
| Best R & B Album | Love, Marriage & Divorce (Toni Braxton & Babyface) |
| Best R & B Performance | Beyonce (Drunk In Love) |
| Best R & B Song | Drunk In Love |
| Best Rap Album | The Marshall Mathers LP2 (Eminem) |
| Best Rap Performance | I (Kendrick Lamar) |
| Best Rap Song | I |
| Best Rap/Sung Collaboration | The Monster |
| Best Recording Package | Lightning Bolt |
| Best Reggae Album | Fly Rasta (Ziggy Marley) |
| Best Regional Mexican Music Album (Including Tejano) | Mano A Mana – Tangos A La Manera De Vicente Fernandez (Vicente Fernandez) |
| Best Regional Roots Music Album | The Legacy |
| Best Remixed Recording, Non-Classical | All Of Me (Tiesto’s Birthday Treatment Remix) |
| Best Rock Album | Morning Phase (Beck) |
| Best Rock Performance | Jack White |
| Best Rock Song | Ain’t It Fun (Hayley Williams & Taylor York) |
| Best Roots Gospel Album | Shine For All The People (Mike Farris) |
| Best Score Soundtrack For Visual Media | The Grand Budapest Hotel |
| Best Song Written For Visual Media | Let It Go |
| Best Spoken World Album (Includes Poetry, Audio Books & Storytelling) | Diary Of A Mad Diva |
| Best Surround Sound Album | Beyonce |
| Best Traditional Pop Vocal Album | Cheek To Cheek |
| Best Traditional R & B Performance | Jesus Children |
| Best Tropical Latin Album | Mas + Corazon Profundo (Carlos Vives) |
| Best Urban Contemporary Album | Girl (Pharrell Williams) |
| Best World Music Album | Eve Angelique Kidijo) |
| Producer Of The Year, Classical | Judith Sherman |
| Producer Of The Year, Non-Classical | Max Martin |
| Record Of The Year | Sam Smith |
| Song Of The Year | Stay With Me (Darkchild Version) |